The Alloy Orchestra 
to accompany
The Masters of Slapstick

June 8, 2002

Tickets on sale NOW! for the Special Event at Mashpee High School. 

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Tickets for The Alloy Orchestra "Masters of Slapstick" are $20 for adults and $10 for youths (ages 18 and under). For more information or reserved tickets, contact the Boch Center for the Performing Arts at 508-477-2580

THE ALLOY ORCHESTRA: "Masters of Slapstick"
Saturday, June 8 at 8:00 PM
Mashpee High School Auditorium
Adults $20 • Youths (ages 18 & under) $10

Don't miss the Alloy Orchestra in their first Cape Cod appearance at this very special event.

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The Alloy Orchestra's Boston-area-based musicians include Roger C. Miller on synthesizer; Ken Winoker on clarinet and percussion; and Terry Donahue, percussion, saw, and banjo.

L to R Ken Winokur, Roger C. Miller and Terry Donahue

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Mashpee Commons • P.O. Box 1997 • Mashpee, MA 02649-1997 • (508) 477-2580
Contact: T.K. Thompson
 Phone: (508) 477-2580

Boch Center & Woods Hole Film Festival Join Forces
Alloy Orchestra —“The best in the world at accompanying silent films.”

MASHPEE -- WHANG, WHIZ, BANG!! SQUEAK, CLANG, RINNGGG!!

Boch Center for the Performing Arts and Woods Hole Film Festival join forces to present the 
ALLOY ORCHESTRA in concert on June 8 at 8 p.m. at the Mashpee High School Auditorium.

The sounds of the Alloy Orchestra are anything but traditional, but while the three-man ensemble is admittedly "wild and wacky," they also make beautiful music together, breathing quirky life into the classic genre of the silent film.

Alloy will perform its original music to "Masters of Slapstick," a trilogy of silent classics ("Easy Street" by Charlie Chaplin (1916); "One Week" by Buster Keaton (1920) and "Big Business" by Laurel & Hardy (1929). The orchestra will also perform its original score for a contemporary silent movie by award-winning filmmaker Jane Gillooly, "Dragonflies, the Baby Cries (2000), which Alloy debuted with the filmmaker at Lincoln Center. This 20-minute short was filmed live with a cast of children.
 

The Alloy Orchestra's approach to an old musical genre-accompaniment to silent films-has been credited with revitalizing the dusty era of silent movies, long replaced by the "talkies." The ensemble doesn't provide solely background music; rather it adds a compelling blend of music, theatrics and sound effects to the films that result in an entertaining multimedia show. The use of synthesizers and common objects enables the orchestra to produce almost any sound imaginable, from an entire orchestra to radio signals from Mars. 

The percussion "instruments" -labeled "junk percussion" --include an array of found objects, such as truck springs, horseshoes and even a bed pan, as well as bells and whistles. "We'll use anything in our setup, if it makes a noise," says Winoker. 

Alloy got its start 12 years ago when they were asked to create a score for "Metropolis," a silent film showing at the Coolidge Corner theatre in Brookline, Mass. Content for years as obscure musicians, the orchestra found itself in demand after appearing at the Telluride Film Festival in 1991 and being the recipient of a rave review by film critic Roger Ebert of the Chicago Sun Times who called the group "the best in the world at accompanying silent films." Since then, Telluride has become an annual tour stop for the orchestra, which has emerged as the best-known silent film accompanist in the world. The orchestra works closely with archives and collectors such as the George Eastman House to present extraordinarily beautiful prints of some of century's greatest films.

The group has composed scores for 13 feature-length silent films and numerous contemporary shorts that they perform in repertory at museums, festivals and movie theaters. In addition to work with silents, the orchestra has contributed soundtracks to commercial videos for IBM, UPS, The Museum of Fine Arts in Boston, the National Park Service and other projects.
 

 
BIG BUSINESS
by Laurel and Hardy
US 1929
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EASY STREET
by Charlie Chaplin
US, 1916
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ONE WEEK 
by Buster Keaton
US, 1920
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Dragonflies, The Baby Cries
by Jane Gillooly
US, 2000
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